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	<title>The Lapland Chronicles &#187; conferences</title>
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	<description>wonder ye then at the fiery hunt?</description>
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		<title>Onward and Outward</title>
		<link>http://mkgold.net/blog/2010/04/17/onward-and-outward/</link>
		<comments>http://mkgold.net/blog/2010/04/17/onward-and-outward/#comments</comments>
		<pubDate>Sat, 17 Apr 2010 17:17:05 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[academia]]></category>
		<category><![CDATA[conferences]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[whitman]]></category>
		<category><![CDATA[ww20]]></category>

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		<description><![CDATA[&#8220;All goes onward and outward . . . . and nothing collapses&#8221;
&#8211; Walt Whitman, Leaves of Grass (1855)
Last week&#8217;s student conference in Camden brought &#8220;Looking for Whitman&#8221; to a rousing, poignant close.  Four months after the classes involved in the project had ended, students from the University of Mary Washington, Rutgers-Camden, and City Tech [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;All goes onward and outward . . . . and nothing collapses&#8221;<br />
&#8211; Walt Whitman, <em>Leaves of Grass</em> (1855)</p>
<p>Last week&#8217;s student conference in Camden brought &#8220;Looking for Whitman&#8221; to a rousing, poignant close.  Four months after the classes involved in the project had ended, students from the University of Mary Washington, Rutgers-Camden, and City Tech gathered together to share their experiences and to meet one another in person.  Understandably, students from the University of Novi Sad were not able to make the trip across the Atlantic Ocean to be with us in person.</p>
<p>There was something special about this day that reflected the entire spirit of the project.  It was fed, no doubt, by the amazing cadre of students from UMW who boarded a bus at 6am on a Saturday morning to take a five-hour bus ride up to Camden for a conference related to a class that they had taken in the previous semester.  Led by faculty members who had devoted intense amounts of energy to the project, these students arrived at Camden at a fever pitch.  They weren&#8217;t there for a conference; they were there for a revival.</p>
<p><a href="http://twitter.com/faux_redhead/status/11932609819"><img class="alignnone size-full wp-image-117" title="whitmannn" src="http://mkgold.lookingforwhitman.org/files/2010/04/whitmannn.GIF" alt="whitmannn" width="643" height="290" /></a></p>
<p>What intensity these students brought with them!!  They came into the room wearing Whitmanic beards, clutching their texts, brimming with excitement.  And that excitement bolstered us throughout the day.</p>
<div id="attachment_141" class="wp-caption alignnone" style="width: 310px"><a href="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-11.18.04.jpg"><img class="size-medium wp-image-141" title="2010-04-10 11.18.04" src="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-11.18.04-300x225.jpg" alt="2010-04-10 11.18.04" width="300" height="225" /></a><p class="wp-caption-text">UMW students arrive in Camden festooned with Whitman beards, t-shirts, and shoes.</p></div>
<p>We knew we were very lucky to have this group with us.  It can be difficult &#8212; particularly at commuter campuses like City Tech and Rutgers &#8212; to round up students four months after a class has ended, let along to convince them to take a two-hour trip from NYC or a five-hour trip from Virginia for a student conference&#8211;especially at the end of the semester, with finals and senior thesis projects looming.  I know that many students wanted to attend but couldn&#8217;t because of work or family obligations.  Many Rutgers graduate students couldn&#8217;t because of concurrently scheduled comprehensive exams.</p>
<p>UMW students felt right at home on the RU campus; here are Sam and Brendan posing with a statue of Walt:</p>
<div id="attachment_143" class="wp-caption alignnone" style="width: 310px"><a href="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-11.54.31.jpg"><img class="size-medium wp-image-143 " title="2010-04-10 11.54.31" src="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-11.54.31-300x225.jpg" alt="2010-04-10 11.54.31" width="300" height="225" /></a><p class="wp-caption-text">Sam P. and Brendan B. pose with Walt himself.</p></div>
<p>&nbsp;</p>
<p><strong>A Generative Conference</strong><br />
Early on, we decided that this conference would not be presentational, but generative.  We wanted the conference to be an active event that embodied the pedagogical imperatives of the project as a whole: students would not just lecture about the work they had done during the Fall 2009 semester, but would also create new work to accompany it.  To this end, we handed out FlipCams to all students there and encouraged them to take footage of the day.  In the coming days and weeks, I look forward to seeing the posts that will come out of that footage.</p>
<p>Some of the highlights of the day included:</p>
<p>&#8211; Small group discussions in which students and faculty members shared their experiences in the project and discussed the Whitman they had found in their project location.</p>
<p>&#8211; A viewing, over lunch, of several videos created during the course of the project.  These included:</p>
<p><em>Two Videos from Novi Sad</em><br />
We watched two videos from students at the University of Novi Sad that deserve special mention.  As Professor Karbiener noted, many Whitman poems have not yet been translated into Serbian.  In her class, Prof. Karbiener chose to concentrate on the Calamus section of <em>Leaves of Grass</em>, which contains some of Whitman&#8217;s most sexual poems.  This was a brave choice, given Whitman&#8217;s sexuality and a Serbian culture that is not always understanding of gay rights.</p>
<p>Even braver and more inspiring, Prof. Karbiener&#8217;s students chose to translate some of Whitman&#8217;s most openly sexual verse into Serbian for the first time.  Here are two deeply moving films depicting readings and interpretations of those verses:</p>
<p>&nbsp;</p>
<p><a href="http://www.youtube.com/watch?v=oZ56zonpOKA">&#8220;to a stranger (Calamus 22)&#8221;</a></p>
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This film from <a href="http://lookingforwhitman.org/members/indira/">Indira</a> at the University of Novi Sad feels like a mashup of Godard, neorealist Italian film, and Whitman.  It&#8217;s a stunning piece of work that gets to the heart of Whitman&#8217;s democratic vision by putting his most open words in the mouths of ordinary Serbian citizens as they go about their daily lives.</p>
<p>&nbsp;</p>
<p><a href="http://www.youtube.com/watch?v=fNG5MEiOv84">&#8220;Walt Whitman, Calamus 9</a>&#8221;<br />
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A powerful meditation on and translation of Whitman&#8217;s poem from <a href="http://lookingforwhitman.org/members/elmap/">Elma</a> at the University of Novi Sad</p>
<p>&nbsp;</p>
<p><em>Wonderful Videos From Other Campuses:</em></p>
<p><strong><a href="http://swords.lookingforwhitman.org/2010/04/08/sam-p-s-final-project-in-search-of-wendell-slickman/">In Search of Wendall Slickman</a></strong></p>
<p><object id="viddler_9aeaf797" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="437" height="370" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowScriptAccess" value="always" /><param name="allowFullScreen" value="true" /><param name="src" value="http://www.viddler.com/player/9aeaf797/" /><param name="name" value="viddler_9aeaf797" /><param name="allowfullscreen" value="true" /><embed id="viddler_9aeaf797" type="application/x-shockwave-flash" width="437" height="370" src="http://www.viddler.com/player/9aeaf797/" name="viddler_9aeaf797" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<p>A rollicking twenty-minute rock &#8216;n roll mockumentary by <a href="http://lookingforwhitman.org/members/swords/">Sam P.</a> of UMW about a figure named &#8220;Wendall Slickman,&#8221; a hybrid figure of Walt Whitman and Elvis Presley</p>
<p>&nbsp;</p>
<p><strong><a href="http://lookingforwhitman.org/2009/12/15/whitman-commercialism-and-the-digital-age-will-whitman-survive/">Whitman, Commercialism, and the Digital Age. Will Whitman Survive?</a></strong></p>
<p><object id="viddler_db845cc3" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="437" height="290" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowScriptAccess" value="always" /><param name="allowFullScreen" value="true" /><param name="src" value="http://www.viddler.com/player/db845cc3/" /><param name="name" value="viddler_db845cc3" /><param name="allowfullscreen" value="true" /><embed id="viddler_db845cc3" type="application/x-shockwave-flash" width="437" height="290" src="http://www.viddler.com/player/db845cc3/" name="viddler_db845cc3" allowfullscreen="true" allowscriptaccess="always"></embed></object><br />
<a href="http://lookingforwhitman.org/members/missvirginia/">Virginia S.</a> of UMW created this beautiful cinepoem marked by a moving reading of <em>Leaves of Grass</em> playing over video footage of traveled roads, sweeping waves, and setting suns.</p>
<p>&nbsp;</p>
<p><strong><a href="http://twood.lookingforwhitman.org/2009/12/08/t-woods-final-project-cinepoem-city-of-ships/">City of Ships</a></strong><br />

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A moving cinepoem that takes us through Whitman&#8217;s Camden and Philadelphia by Rutgers-Camden student <a href="http://lookingforwhitman.org/members/taraw/">Tara Wood</a>.  This video was highlighted in <a href="http://news.rutgers.edu/medrel/news-releases/2009/12/on-the-streets-of-wh-20091216">an article about the Looking for Whitman project</a>.</p>
<p>&nbsp;</p>
<p>City Tech students bring us Whitman&#8217;s New York by finding his presence in two busy hubs of the city Whitman loved:</p>
<p><a href="http://lookingforwhitman.org/members/miri/">Ermir</a> finds Whitman In Times Square:</p>
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<p>And <a href="http://lookingforwhitman.org/members/fabfab/">Fabricio</a> finds him in Grand Central:</p>
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<p>&nbsp;</p>
<p>To be sure, these videos are just a sample of the amazing student work completed during the Fall 2009 semester.  In the coming weeks and months, the Looking for Whitman team will continue to unearth and organize riches from the project.  Stay tuned, and thanks so much to all students involved in the project for their good work!</p>
<p>&nbsp;</p>
<p><strong>A Trip to Mickle Street</strong><br />
At mid-afternoon, we hopped on a bus and rode a few blocks to visit <a href="http://www.waymarking.com/waymarks/WM70FB_Walt_Whitman_House_Museum_Camden_NJ">Whitman&#8217;s House on Mickle Street</a> &#8212; the only house he ever owned, and the house in which he spent the last eight years of his life.  (During the course of our own project, Prof. Hoffman&#8217;s class wrote <a href="http://visitorscripts.lookingforwhitman.org/">scripts for the Visitor&#8217;s Center</a> that will soon be built at the site).</p>
<div id="attachment_149" class="wp-caption alignnone" style="width: 310px"><a href="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-16.08.29.jpg"><img class="size-medium wp-image-149" title="2010-04-10 16.08.29" src="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-16.08.29-300x225.jpg" alt="2010-04-10 16.08.29" width="300" height="225" /></a><p class="wp-caption-text">Students gather in the backyard of the Whitman house after a tour.</p></div>
<p>I&#8217;ll let the students who were visiting the house for the first time speak about this experience, but I&#8217;ll just say that it was wonderful to observe the awe with which these students approached the house.</p>
<p>Many thanks to Leo Blake, curator of the House, and his volunteer staff for a wonderful tour.</p>
<p>&nbsp;</p>
<p><strong>Whitman&#8217;s Tomb at Harleigh Cemetery</strong><br />
After our tour of the house, we headed over to <a href="http://www.poetsgraves.co.uk/whitman.htm">Whitman&#8217;s gravesite</a>.  We arrived to find the front gates shut and locked, even though we arrived a few minutes before closing time.  While we tried to figure out what to do, I walked around the the cemetery looking for someone to talk to.  Nearby, I found a section of the wrought-iron fence that had been bent open.  After I went through, hoping to talk to a representative of the cemetery, I turned to find students and faculty from the project following me through the hole in the fence!</p>
<div id="attachment_150" class="wp-caption alignnone" style="width: 310px"><a href="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-17.03.04.jpg"><img class="size-medium wp-image-150" title="2010-04-10 17.03.04" src="http://mkgold.lookingforwhitman.org/files/2010/04/2010-04-10-17.03.04-300x225.jpg" alt="2010-04-10 17.03.04" width="300" height="225" /></a><p class="wp-caption-text">Entrance to the Harleigh cemetery.  Note the closed gate.</p></div>
<p>Finding no one around, we walked down the road a bit until we arrived at the tomb that Whitman had designed for himself and his family members:</p>
<div id="attachment_151" class="wp-caption alignnone" style="width: 310px"><a href="http://mkgold.lookingforwhitman.org/files/2010/04/whitman-gravesite-visit.jpg"><img class="size-medium wp-image-151" title="whitman-gravesite-visit" src="http://mkgold.lookingforwhitman.org/files/2010/04/whitman-gravesite-visit-300x225.jpg" alt="whitman-gravesite-visit" width="300" height="225" /></a><p class="wp-caption-text">Students and faculty members gather in front of Whitman&#39;s tomb. Thanks to Claire Fontaine for the shot.</p></div>
<p>And then, we read together the closing lines of Whitman&#8217;s &#8220;Song of Myself.&#8221;  (video to follow).  It was a fitting and beautiful way to end our time together.</p>
<p>&nbsp;</p>
<p><strong>The Smallest Sprout Shows There is Really No Death</strong><br />
Onward and outward.  The project is drawing to a close, of sorts, but I have the sense that it will never end for many of us.  Like one of the elastic, limber, ellipsis-trailing lines of Whitman&#8217;s 1855 <em>Leaves of Grass</em>, <a href="http://lookingforwhitman.org">Looking for Whitman</a> will continue to fling its likeness outward; and those of us who were a part of it, or who watched it from afar, will continue to draw from it as we find it under our bootsoles, filtering and fibering the soil in which we grow. </p>
<p>&nbsp;</p>
<p><strong>Acknowledgments</strong><br />
My deepest thanks to those who supported this project, including:</p>
<p><a href="http://www.neh.gov/grants/guidelines/digitalhumanitiesstartup.html" target="_blank">The NEH Digital Humanities Start-Up Grant Program</a>, offered through the <a href="http://www.neh.gov/odh/" target="_blank">NEH Office of Digital Humanities</a> in partnership with the <a href="http://www.imls.gov/" target="_blank">Institute of Museum and Library Services</a>.  I am grateful to the NEH and to the Office of Digital Humanities for their support, and I hope that this project can serve as an example for others interested in multi-campus educational projects.</p>
<p>I am also grateful to the colleges represented in this project for the generous support and encouragement that they have given to the participants.  In particular, I would like to thank the following people for their support of this project:</p>
<ul> Dr. Bonne August, Provost and Vice President, New York City College of<br />
Technology, CUNY</p>
<p>Barbara Burke, Patty Barba, Eleanor Bergonzo, Yasemin Jones from the Grants Office of the New York City College of Technology, CUNY.</p>
<p>Dr. Teresa A. Kennedy, Professor and Chair, Department of English,<br />
Linguistics, and Communication, University of Mary Washington</p>
<p>Dr. Nina Mikhalevsky, Acting Provost and Vice President for Strategy and<br />
Policy, Professor of Philosophy, University of Mary Washington</p>
<p>Dr. Michael A. Palis, Interim Dean, Faculty of Arts and Sciences Graduate<br />
School, Rutgers University-Camden</ul>
<p>This project would not have been successful without the efforts of its deeply committed faculty members and staff.  For their enthusiasm, excitement, energy, and expertise, I would like to thank:</p>
<ul> <strong>Lead Faculty Members</strong><br />
New York<br />
<a href="http://mkgold.net" target="_blank"> Matthew K. Gold</a>, <a href="http://www.citytech.cuny.edu" target="_blank">New York City College of Technology</a> and <a href="http://www.gc.cuny.edu" target="_blank">CUNY Graduate Center</a></p>
<p><a href="http://gls.nyu.edu/object/KarenKarbiener" target="_blank">Karen Karbiener</a>, <a href="http://www.nyu.edu/" target="_blank">New York University</a> (2009 Fulbright Scholar at the <a href="http://www.ns.ac.yu/en/" target="_blank">University of Novi Sad</a>, Serbia)</p>
<p>Virginia/Washington<br />
<a href="http://www.bradyearnhart.com/" target="_blank">Brady Earnhart</a>, <a href="http://www.umw.edu/" target="_blank">University of Mary Washington</a></p>
<p><a href="http://www.umw.edu/mrg/?fid=306" target="_blank">Mara Scanlon</a>, <a href="http://www.umw.edu/" target="_blank">University of Mary Washington</a></p>
<p>Camden<br />
<a href="http://crab.rutgers.edu/~thoffman/" target="_blank">Tyler Hoffman</a>, <a href="http://www.camden.rutgers.edu/" target="_blank">Rutgers University-Camden</a></p>
<p><a href="http://crab.rutgers.edu/~singley/" target="_blank">Carol Singley</a>, <a href="http://www.camden.rutgers.edu/" target="_blank">Rutgers University-Camden</a></p>
<p><strong>Director of Technology</strong><br />
<a href="http://jimgroom.net/" target="_blank">Jim Groom</a>, <a href="http://www.umw.edu/" target="_blank">University of Mary Washington</a></p>
<p><strong>Director of Project Support</strong><br />
<a href="http://clairemariefontaine.com/cv/" target="_blank">Claire M. Fontaine</a>, <a href="http://www.gc.cuny.edu" target="_blank">CUNY Graduate Center</a></p>
<p><strong>Scholarly Adviser</strong><br />
<a href="http://web.cuny.edu/academics/oaa/distinguished/view_profLast=Reynolds&amp;profFirst=David.html" target="_blank">David S.  Reynolds</a>, <a href="http://www.gc.cuny.edu" target="_blank">CUNY Graduate Center</a></p>
<p><strong>Pedagogical Advisers</strong><br />
<a href="http://web.gc.cuny.edu/itp/pages/faculty.html#brier" target="_blank">Steve Brier</a>, <a href="http://www.gc.cuny.edu" target="_blank">CUNY Graduate Center</a><br />
<a href="http://chnm.gmu.edu/history/faculty/kelly/" target="_blank">Mills Kelly</a>, <a href="http://www.gmu.edu/" target="_blank">George Mason University</a></p>
<p><strong>Affiliated Institutions, Centers, People, and Groups</strong><br />
<a href="http://www.brooklynhistory.org/default/index.html">Brooklyn Historical Society</a> (New York)<br />
<a href="http://www.nps.gov/frsp/chatham.htm">Chatham Manor</a> (Virginia)<br />
<a href="http://www.kimroberts.org/biography.html" target="_blank">Kim Roberts</a> (Washington, D.C.)<br />
<a href="http://www.loc.gov/rr/mss/">Library of Congress Manuscripts Division</a> (Washington, D.C.)<br />
The Walt Whitman Association (Camden)<br />
<a href="http://www.state.nj.us/dep/parksandforests/historic/whitman/">The Walt Whitman House</a> (Camden)<br />
<a href="http://www.whitmanproject.org/">The Walt Whitman Project</a> (New York)</p>
<p><strong>Website Development Team</strong><br />
Website Banner Design:  Yue Chen</p>
<p>Coding, Development, Layout: <a href="http://castironcoding.com/" target="_blank">Cast Iron Coding</a></p>
<p>Guru:  <a href="http://jimgroom.net/">Jim Groom</a></p>
<p>Cleaner:  <a href="http://teleogistic.net/" target="_blank">Boone Gorges</a></ul>
<p>Most of all, I&#8217;d like to thank the students who took part in Looking for Whitman.  Without your hard work, none of this would have been possible.</p>
<p>&nbsp;</p>
<p>&#8212;</p>
<p>&#8220;Looking for Whitman&#8221; has been designated a &#8220;<a href="http://www.wethepeople.gov/" target="_blank">We the People</a>&#8221; project by the <a href="http://www.neh.gov/" target="_blank">National Endowment for the Humanities</a>.</p>
<p><img class="alignnone size-full wp-image-158" title="NEH" src="http://lookingforwhitman.org/files/2009/03/hzontcolor.gif" alt="NEH" width="526" height="163" /></p>
<p><img class="alignnone size-full wp-image-159" title="wtp" src="http://lookingforwhitman.org/files/2009/03/wtp.gif" alt="wtp" width="290" height="140" /></p>
<p><img class="alignnone size-full wp-image-160" title="IMLS_Logo_2c" src="http://lookingforwhitman.org/files/2009/03/IMLS_Logo_2c.jpg" alt="IMLS_Logo_2c" width="250" height="113" /></p>
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		<title>Fall 2009 Talks</title>
		<link>http://mkgold.net/blog/2009/09/21/fall-2009-speaking-engagements/</link>
		<comments>http://mkgold.net/blog/2009/09/21/fall-2009-speaking-engagements/#comments</comments>
		<pubDate>Tue, 22 Sep 2009 05:18:43 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
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		<description><![CDATA[I&#8217;m excited to announce the following speaking engagements for the Fall 2009 semester, most of them stemming from the Looking for Whitman and CUNY Academic Commons projects:
Invited Lectures:

Norwegian elearning Research and Educational Network (REN) Delegation Visit to New York City
Conference Program
&#8220;Looking for Whitman: Networking the Digital Humanities&#8221;
Thursday October 15
Affinia Shelburne Hotel, 303 Lexington Avenue, New [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m excited to announce the following speaking engagements for the Fall 2009 semester, most of them stemming from the <a href="http://lookingforwhitman.org">Looking for Whitman</a> and <a href="http://commons.gc.cuny.edu">CUNY Academic Commons</a> projects:</p>
<p><strong>Invited Lectures:</strong></p>
<blockquote><p>
Norwegian elearning Research and Educational Network (<a href="http://ekstranett.innovasjonnorge.no/templates/Page_Meta____32772.aspx">REN</a>) Delegation Visit to New York City</p>
<p><a href="http://ekstranett.innovasjonnorge.no/templates/Page_Meta____58564.aspx">Conference Program</a></p>
<p><strong>&#8220;Looking for Whitman: Networking the Digital Humanities&#8221;</strong><br />
Thursday October 15<br />
Affinia Shelburne Hotel, 303 Lexington Avenue, New York
</p></blockquote>
<p>&nbsp;</p>
<blockquote><p><a href="http://www.lagcc.cuny.edu">LaGuardia Community College</a> Speaker Series<br />
<a href="http://digitalageknowledge.eventbrite.com/">Information 2.0: Knowledge in the Digital Age</a><br />
Friday, October 16, 2009 from 9:30 AM &#8211; 12:00 PM </p>
<p><strong>Guerrilla Pedagogy: A Hit-and-Run Guide to Mobile, Open-Source, Aggregated Course Design</strong><br />
This presentation will consider the practical and theoretical implications of using the ethos of the open-source software movement as a guiding force for classroom pedagogy. Embracing the principles of open-source in the digital classroom involves distinct notions of openness, transparency, sharing, and student-centeredness that are, in many ways, anathema not just to corporate content management systems such as Blackboard, but also to deeply ingrained ideas concerning the role of higher educational institutions in public life. Responding critically and creatively to the possibilities opened up by new communications technologies can and should entail a reexamination of the assumptions regarding the ways in which students and teachers relate to course materials and to each other.</p>
<p> <a href="http://digitalageknowledge.eventbrite.com/">more info</a>
</p></blockquote>
<p>&nbsp;</p>
<p><strong>Conference Presentations:</strong></p>
<blockquote><p><a href="http://www.kingsborough.edu/dreamland_pavilion/">Dreamland Pavilion: Brooklyn and Development Conference</a><br />
Kingsborough Community College, October 2-3, 2009<br />
10:45 a.m. &#8211; 12:15 p.m.: Morning Session II &#8211; Water and Work in the Literature of Brooklyn</p>
<p><strong>&#8220;Ample: Sizing Up Whitman’s Brooklyn&#8221;</strong></p></blockquote>
<p>&nbsp;</p>
<blockquote><p><a href="http://dln.cuny.edu/it/cfp.html">8th Annual IT Conference &#8212; Instructional/Information Technology in CUNY: Managing Complexity</a></p>
<p>Morning Session: <strong>&#8220;Introducing the CUNY Academic Commons&#8221;</strong><br />
Afternoon Session: <strong>&#8220;CUNY WordCampEd and Beyond&#8211;The State of WordPress at CUNY&#8221;</strong>
</p></blockquote>
<p>&nbsp;</p>
<blockquote><p>
<a href="http://www.mla.org">Modern Language Association</a><br />
125th annual convention, Philadelphia</p>
<p>Special Session:<br />
<strong>Looking for Whitman: A Cross-Campus Experiment in Digital Pedagogy</strong><br />
7:15p.m.-8:30 p.m. on 28-DEC-09 in 410, Philadelphia Marriott
</p></blockquote>
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		<title>MLA 2008 Recap: Part 1 &#8211; The Rise of the Digital MLA</title>
		<link>http://mkgold.net/blog/2009/01/03/mla-2008-recap-part-1-the-rise-of-the-digital-mla/</link>
		<comments>http://mkgold.net/blog/2009/01/03/mla-2008-recap-part-1-the-rise-of-the-digital-mla/#comments</comments>
		<pubDate>Sat, 03 Jan 2009 23:18:15 +0000</pubDate>
		<dc:creator>Matt</dc:creator>
				<category><![CDATA[conferences]]></category>
		<category><![CDATA[academia]]></category>
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		<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[jobmarket]]></category>
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		<description><![CDATA[
&#8220;Untitled,&#8221; The Tattered Coat
(With apologies to IHE)
Three days after returning home from the MLA Conference in San Francisco, and I&#8217;m still coming down, still thrumming with the newfound sense of energy, purpose, and camaraderie that I found there. 
Who would have thought?  Certainly, the annual conference of literature and language professors is not renowned [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/tatteredcoat/305751412/" title="Untitled by The Tattered Coat, on Flickr" target="_blank"><img src="http://farm1.static.flickr.com/111/305751412_2f1c8b3067.jpg" width="500" height="324" alt="" /></a><br />
<small><em>&#8220;Untitled,&#8221; <a href="http://www.flickr.com/photos/tatteredcoat/" target="_blank">The Tattered Coat</a></em></small></p>
<p>(With apologies to <a href="http://www.insidehighered.com/news/2008/04/03/digital" target="_blank">IHE</a>)</p>
<p>Three days after returning home from the MLA Conference in San Francisco, and I&#8217;m still coming down, still thrumming with the newfound sense of energy, purpose, and camaraderie that I found there. </p>
<p>Who would have thought?  Certainly, the annual conference of literature and language professors is not renowned for its capacity to spread good cheer.  As the <em>Los Angeles Times</em> <a href="http://www.latimes.com/news/education/la-me-language1-2009jan01,0,4104726.story" target="_blank">has pointed out</a>, the MLA conference functions first and foremost as a job market, even if that market is <a href="http://chronicle.com/news/article/5718/mla-2008-fear-and-interviewing" target="_blank">shrinking in scary ways</a>.  My own experience interviewing at the MLA in 2006 enabled me to see only the tension and stress of the MLA experience; I was not prepared for what I found there this year.</p>
<p>So, what changed in 2008?  Here are some of the highlights and trends I saw:</p>
<p>&nbsp;</p>
<p><strong>Twitter Altered the Pre-Convention Experience</strong><br />
Before the conference had even started, a bunch of my contacts on <a href="http://www.twitter.com" target="_blank">twitter</a> had begun to connect with one another.  We arranged a tweetup by setting up <a href="http://twitter.com/mlatweetup" target="_blank">an account on twitter</a>.  We <a href="http://mlatweetup.pbwiki.com/FrontPage" target="_blank">created a wiki page</a> and encouraged convention-going twits to list their presentations on it.  We bemoaned the fact that so many of the panels we wanted to attend <a href="http://twitter.com/mkirschenbaum/status/1074830525" target="_blank">were scheduled at the same time</a>.   (And by &#8220;we,&#8221; I mean a loosely connected set of people who identified themselves as being members of both the MLA and Twitter.  There was very little structure involved, and the community, such as it was, was very open).</p>
<p>Before we even arrived, then, the conference had begun.</p>
<p>&nbsp;</p>
<p><strong>Twitter Enhanced the Experience of the Conference Itself</strong><br />
It wasn&#8217;t just the tweetups (we met for the first time when we crashed the cash bar of the <a href="http://eliterature.org/" target="_blank">Electronic Literature Organization</a>).  It was the fact that twitter provided a backchannel for conference.  Here, for example, are <a href="http://search.twitter.com/search?q=mla08" target="_blank">general tweets about the conference</a>, and here are tweets <a href="http://search.twitter.com/search?q=mla140" target="_blank">specifically related to the Microblogging</a> panel.  </p>
<p>Such conference-related backchanneling is nothing new, but it seemed new for the MLA.</p>
<p>&nbsp;</p>
<p><strong>Digital Panels Reached Critical Mass</strong><br />
Nearly everyone I spoke with remarked upon the breadth and depth of digital panels and workshops at the convention and the ways in which that contrasted with previous years.  Established academic communities that had formed around societies such as the Electronic Literature Organization mixed with newer, distributed groups that formed through blogs and/or twitter.  All of the digital panels I went to were remarkably well attended, and it was particularly useful to see conversations build across several different panel sessions.</p>
<p>Here, for instance, is a list of sessions that were identified by the MLA search tool under the rubric &#8220;General Literature: Electronic Technology (Teaching, Research, and Theory)&#8221;:</p>
<p>52.  	Defoe, James, and Beerbohm: Computer-Assisted Criticism of Three Authors<br />
108.  Using Technology to Teach Languages<br />
163.  Scholarly Editing in the Twenty-First Century: Digital Media and Editing<br />
174.  Microblogging: Producing Discourse in 140 Characters or Less<br />
224.  Methodologies for Literary Studies in the Digital Age<br />
271.  Genre, Form, and Cultural Practice in Contemporary Electronic Literature<br />
320.  Biocultures: Closing the Science-Humanities Gap<br />
369.  Promoting the Useful Arts: Copyright, Fair Use, and the Digital Scholar<br />
421.  Digital Immigrants Teaching Digital Natives<br />
464.  Online Course Management: Friend or Foe?<br />
497.  Digital Initiatives in Early Modern English Literature<br />
543.  The Library of Google: Researching Scanned Books<br />
617.  Editing Manuscripts in Digital and Print Forms<br />
724.  E-Criticism: New Critical Methods and Modalities<br />
796.  The Audiobook</p>
<p>And that is only a <em>very</em> partial list.  [<strong>update</strong>: Here, via <a href="http://twitter.com/projectjulie/status/1098235733" target="_blank">projectjulie</a>, is <strong><a href="http://ach.org/mla/mla08/guide.html" target="_blank">the full list of Digital Humanities panels as compiled by ACH</a></strong>.  Hugely impressive.]  </p>
<p>The critical mass of new-media sessions was aided by a new tool rolled out by the MLA, &#8220;<a href="http://www.mla.org/conv_listings" target="_blank">My Convention Schedule</a>,&#8221; which allowed MLA members to search for panels of interest and to compile customized panel listings.</p>
<p>I hope that by MLA 2009, the organization is able to take that tool one step further by making it social, so that members can share their schedules with one another and recommend panels to friends.</p>
<p>&nbsp;</p>
<p><strong>A Tired Meme:  The Cantankerous Objector</strong><br />
<a href="http://www.flickr.com/photos/beta_karel/17981973/" title="angry by beta karel, on Flickr" target="_blank"><img src="http://mkgold.net/blog/images/not-listening.jpg" alt="not listening" align="right" /></a>  One of the most striking refrains I heard at the digital panels occurred during the Q&#038;A periods, when a curmudgeon would invariably rise and question not just the validity of the panelists&#8217; particular work but also the entire project of engaging digital technology in research or teaching.  There was a fascinatingly similar pattern to all of these comments:  he (and it was always a &#8216;he&#8217;) would first establish his connection to the literary field (&#8220;I&#8217;ve been teaching XYZ literature at ABC University for 25 years&#8221;), then seek to distance himself from the luddite position (&#8220;Don&#8217;t get me wrong&#8211;I love my iPhone&#8221;), before boring in with overly generalized criticism of the new generation of scholars or, more often, students (variations of &#8220;students seem more distracted these days,&#8221; &#8220;students don&#8217;t read anymore,&#8221; &#8220;students won&#8217;t stop playing with their iPhones during my overly long and thoroughly boring disquisitions on DEF&#8217;s minor ballads&#8221;)&#8211;precisely the kinds of generalized criticism, we might assume, that he would never countenance in a classroom discussion of those minor ballads.</p>
<p>In his <a href="http://www.chutry.wordherders.net/wp/?p=2064" target="_blank">post-convention blog post</a>, my friend <strong>Chuck Tryon</strong> got to the heart of these kinds of objections:</p>
<blockquote><p>One of my frustrations in thinking about [the course I'm designing] is the degree to which the existence of digital technologies have been used to reify an entire generation of students, to assume on the one hand that Kids Today have shorter attention spans and on the other that they are fluent in using digital technologies.  These assumptions often say more about the people who articulate them and their attitudes toward digital technologies than about actual students[. . . .]</p></blockquote>
<p>I agree wholeheartedly with Chuck, and I suspect that the kinds of objections being made to digital technologies in the academy today mirror earlier discourses around subjects such as women&#8217;s studies, queer studies, and african-american studies, to name only a few fields.</p>
<p>And that leads me to my last point:</p>
<p>&nbsp;</p>
<p><strong>Communities Grow in Marginalized Spaces</strong><br />
<a href="http://www.flickr.com/photos/kruggg6/121901491/" title="Between the Crevices by Kruggg6, on Flickr" target="_blank"><img src="http://mkgold.net/blog/images/between-crevices.jpg" alt="Between the Crevices" align="right" /></a>  Despite continuing objections to the field and to its methodologies, the <a href="http://www.cnn.com/2007/POLITICS/01/23/sotu.bush.transcript/index.html" target="_blank">strength of our union is strong</a> (really, it is, despite that link!).  As one friend noted to me, the field has now grown large enough to contain multitudes: various methodological and pedagogical disagreements played out in the panels I saw.   But the field, as a whole, still faces fundamental questions about its legitimacy&#8211;something that becomes clear as soon as the words &#8220;digital publication&#8221; and &#8220;tenure review&#8221; are put together.  </p>
<p>Recent developments, such as the emergence of large funding agencies such as the <a href="http://www.neh.gov/odh/" target="_blank">NEH Office of Digital Humanities</a> and the <a href="http://www.hastac.org/" target="_blank">MacArthur Foundation/HASTAC</a> have undoubtedly changed the playing field.  But even so, questions of legitimacy linger on.  </p>
<p>Then again, legitimacy is overrated.</p>
<p><strong>Cathy Davidson</strong>&#8211;a scholar I much admire, whose <a href="http://fds.duke.edu/db/aas/English/faculty/cathy.davidson" target="_blank">work needs no introduction</a>&#8211;skewered the &#8220;cantankerous objector&#8221; meme in <a href="http://www.hastac.org/node/1868" target="_blank">one of the terrific blog posts she wrote</a> following the convention:</p>
<blockquote><p>Anyone who says that “digital learning” isn’t “real learning” (yes, we had such a comment from an audience member) isn’t paying attention. Or, more accurately, is so busy defending the assumptions of the field into which they were delivered as young graduate students that they do not see, cannot see, do not wish to see, the contours of a changing world in which their field is shrinking, not because it is irrelevant, but because far too few people in the profession represented by the MLA are willing to do the deep, difficult, engaged work of thinking through what it means to be a field (any field) in the twenty-first century.</p>
<p>I do not believe that the dreary decline in English majors that the MLA duly reports on every year is inevitable. But I do believe it is inevitable if we, as a profession, refuse to go through the work that so many of our peers in the arts, social sciences, and natural and biological sciences have gone through of carefully examining our assumptions, our goals, and our decline in light of the Information Age that should be our finest hour, the moment which, as a profession, we are trained to attend to most sensitively, acutely, historically, rhetorically, and critically.</p>
<p>If we are missing the boat of the Information Age as teachers trained in the art of close reading, compelling writing, and critical thinking, then, well, sorry folks, we deserve to sink.</p></blockquote>
<p>It&#8217;s 2009.  The MLA has begun to catch up to that boat, but we haven&#8217;t reached it yet.  And as <a href="http://www.bobdylan.com/songs/not-dark-yet" target="_blank">Bob Dylan tells us</a>, &#8220;It&#8217;s not dark yet, but it&#8217;s getting there.&#8221;  We can say that the profession is finally moving, but whether or not it will get where it needs to go fast enough remains to be seen. </p>
<p>&nbsp;</p>
<p>==> <strong>Coming soon:</strong>  Recaps of my favorite sessions at the conference.</p>
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